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Duration: 137 Min / / release date: 2013 / Mary Steenburgen / Liked it: 30789 vote / Isao Takahata.

 

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Kaguya hercegnő története watch online free. Kaguya hercegnő története watch online latino. Kaguya hercegnő története watch online game. "Tale of the Princess Kaguya", "かぐや姫の物語", and "Kaguya-hime no Monogatari" redirect here. For the Studio Ghibli film, see The Tale of the Princess Kaguya. "Taketori Monogatari" and "竹取物語" redirect here. For the 1987 film, see Princess from the Moon. Discovery of Princess Kaguya (depiction from the Edo period, late 17th century) The Tale of the Bamboo Cutter ( 竹取物語, Taketori Monogatari) is a 10th-century Japanese monogatari (fictional prose narrative) containing Japanese folklore. It is considered the oldest extant Japanese prose narrative [1] [2] although the oldest manuscript dates to 1592. [3] The tale is also known as The Tale of Princess Kaguya ( かぐや姫の物語, Kaguya-hime no Monogatari), after its protagonist. [4] It primarily details the life of a mysterious girl called Kaguya, who was discovered as a baby inside the stalk of a glowing bamboo plant. Narrative [ edit] Taketori no Okina takes Kaguya-hime to his home, Drawn by Tosa Hiromichi, c. 1600 One day, while walking in the bamboo forest, an old, childless bamboo cutter called Taketori no Okina ( 竹取翁, "the Old Man who Harvests Bamboo") came across a mysterious, shining stalk of bamboo. After cutting it open, he found inside it an infant the size of his thumb. He rejoiced to find such a beautiful girl and took her home. He and his wife raised her as their own child and named her Kaguya-hime (かぐや姫 accurately, Nayotake no Kaguya-hime, "Shining princess of the supple bamboo"). Thereafter, Taketori no Okina found that whenever he cut down a stalk of bamboo, inside would be a small nugget of gold. Soon he became rich. Kaguya-hime grew from a small baby into a woman of ordinary size and extraordinary beauty. At first, Taketori no Okina tried to keep her away from outsiders, but over time the news of her beauty spread. Eventually, five princes came to Taketori no Okina's residence to ask for the beautiful Kaguya-hime's hand in marriage. The princes eventually persuaded Taketori no Okina to tell a reluctant Kaguya-hime to choose from among them. Kaguya-hime concocted impossible tasks for the princes, agreeing to marry the one who managed to bring her his specified item. That night, Taketori no Okina told the five princes what each must bring. The first was told to bring her the stone begging bowl of the Buddha Shakyamuni from India, the second a jeweled branch from the mythical island of Hōrai, [5] the third the legendary robe of the fire-rat of China, the fourth a colored jewel from a dragon 's neck, and the final prince a cowry shell born of swallows. Realizing that it was an impossible task, the first prince returned with an expensive stone bowl, hoping that Kaguya-hime would believe it to be real, but after noticing that the bowl did not glow with holy light, Kaguya-hime saw through his deception. Likewise, two other princes attempted to deceive her with fakes, but also failed. The fourth gave up after encountering a storm, while the final prince lost his life (severely injured in some versions) in his attempt. After this, the Emperor of Japan, Mikado, came to see the strangely beautiful Kaguya-hime and, upon falling in love, asked her to marry him. Although he was not subjected to the impossible trials that had thwarted the princes, Kaguya-hime rejected his request for marriage as well, telling him that she was not of his country and thus could not go to the palace with him. She stayed in contact with the Emperor, but continued to rebuff his requests and marriage proposals. That summer, whenever Kaguya-hime saw the full moon, her eyes filled with tears. Though her adoptive parents worried greatly and questioned her, she was unable to tell them what was wrong. Her behaviour became increasingly erratic until she revealed that she was not of this world and must return to her people on the Moon. In some versions of this tale, it is said that she was sent to the Earth, where she would inevitably form material attachment, as a temporary punishment for some crime, while in others, she was sent to Earth for her own safety during a celestial war. The gold that Taketori no Okina had been finding had in fact been a stipend from the people of the Moon, sent down to pay for Kaguya-hime's upkeep. Kaguya-hime goes back to the Moon As the day of her return approached, the Emperor sent many guards around her house to protect her from the Moon people, but when an embassy of "Heavenly Beings" arrived at the door of Taketori no Okina's house, the guards were blinded by a strange light. Kaguya-hime announced that, though she loved her many friends on Earth, she must return with the Moon people to her true home. She wrote sad notes of apology to her parents and to the Emperor, then gave her parents her own robe as a memento. She then took a little of the elixir of life, attached it to her letter to the Emperor, and gave it to a guard officer. As she handed it to him, her feather robe was placed on her shoulders, and all of her sadness and compassion for the people of the Earth were apparently forgotten. The heavenly entourage took Kaguya-hime back to Tsuki no Miyako (月の都; lit. "the Capital of the Moon"), leaving her earthly foster parents in tears. The parents became very sad and were soon put to bed sick. The officer returned to the Emperor with the items Kaguya-hime had given him as her last mortal act, and reported what had happened. The Emperor read her letter and was overcome with sadness. He asked his servants, "Which mountain is the closest place to Heaven? ", to which one replied the Great Mountain of Suruga Province. The Emperor ordered his men to take the letter to the summit of the mountain and burn it, in the hope that his message would reach the distant princess. The men were also commanded to burn the elixir of immortality since the Emperor did not wish to live forever without being able to see her. The legend has it that the word immortality, 不死 ( fushi), became the name of the mountain, Mount Fuji. It is also said that the kanji for the mountain, 富士山 (literally "Mountain Abounding with Warriors"), are derived from the Emperor's army ascending the slopes of the mountain to carry out his order. It is said that the smoke from the burning still rises to this day. (In the past, Mount Fuji was much more volcanically active and therefore produced more smoke. ) Literary connections [ edit] Elements of the tale were drawn from earlier stories. The protagonist Taketori no Okina, given by name, appears in the earlier poetry collection Man'yōshū (c. 759; poem# 3791). In it, he meets a group of women to whom he recites a poem. This indicates that there previously existed an image or tale revolving around a bamboo cutter and celestial or mystical women. [6] [7] A similar retelling of the tale appears in the c. 12th century Konjaku Monogatarishū (volume 31, chapter 33), although their relation is under debate. [8] Banzhu Guniang [ edit] In 1957, Jinyu Fenghuang (金玉鳳凰), a Chinese book of Tibetan tales, was published. [9] In early 1970s, Japanese literary researchers became aware that "Banzhu Guniang" (班竹姑娘), one of the tales in the book, had certain similarities with The Tale of the Bamboo Cutter. [10] [11] Initially, many researchers thought that "Banzhu Guniang" must be related to Tale of Bamboo Cutter, although some were skeptical. In 1980s, studies showed that the relationship is not as simple as initially thought. Okutsu provides extensive review of the research, and notes that the book Jinyu Fenghuang was intended to be for children, and as such, the editor took some liberties in adapting the tales. No other compilation of Tibetan tales contains the story. [12] A Tibet-born person wrote that he did not know the story. [13] A researcher went to Sichuan and found that, apart from those who had already read "Jinyu Fenghuang", local researchers in Chengdu did not know the story. [14] Tibetan informants in Ngawa Tibetan and Qiang Autonomous Prefecture did not know the story either. [14] Legacy [ edit] The Tale of the Bamboo Cutter has been identified as proto- science fiction. Some of its science fiction plot elements include Kaguya-hime being a princess from the Moon who is sent to Earth for safety during a celestial war, an extraterrestrial being raised by a human on Earth, and her being taken back to the Moon by her real extraterrestrial family. A manuscript illustration also depicts a round flying machine that resembles a flying saucer. [15] See also [ edit] Big Bird in Japan The Tale of the Princess Kaguya Notes [ edit] ^ "Japan: Literature", Windows on Asia, MSU, ^ "17. A Picture Contest". The Tale of Genji. the ancestor of all romances) ^ Katagiri et al. 1994: 95. ^ Katagiri et al. 1994: 81. ^ McCullough, Helen Craig (1990). Classical Japanese Prose. Stanford University Press. pp. 30, 570. ISBN 978-0-8047-1960-5. ^ Horiuchi (1997:345-346) ^ Satake (2003:14-18) ^ Yamada (1963:301-303) ^ 田海燕, ed. (1957). 金玉鳳凰 (in Chinese). Shanghai: 少年兒童出版社. 百田弥栄子 (1971). 竹取物語の成立に関する一考察. アジア・アフリカ語学院紀要 (in Japanese). 3. 伊藤清司 (1973). かぐや姫の誕生―古代説話の起源 (in Japanese). 講談社. ^ 奥津 春雄 (2000). 竹取物語の研究: 達成と変容 竹取物語の研究 (in Japanese). 翰林書房. ISBN 978-4-87737-097-8. ^ テンジン・タシ, ed. (2001). 東チベットの民話 (in Japanese). Translated by 梶濱 亮俊. SKK. ^ a b 繁原 央 (2004). 日中説話の比較研究 (in Japanese). 汲古書院. ISBN 978-4-7629-3521-3. ^ Richardson, Matthew (2001). The Halstead Treasury of Ancient Science Fiction. Rushcutters Bay, New South Wales: Halstead Press. ISBN 978-1-875684-64-9. ( cf. "Once Upon a Time". Emerald City (85). September 2002. Retrieved 2008-09-17. ) References [ edit] Katagiri Yōichi, Fukui Teisuke, Takahashi Seiji and Shimizu Yoshiko. 1994. Taketori Monogatari, Yamato Monogatari, Ise Monogatari, Heichū Monogatari in Shinpen Nihon Koten Bungaku Zenshū series. Tokyo: Shogakukan. Donald Keene (translator), The Tale of the Bamboo Cutter, ISBN 4-7700-2329-4 Japan at a Glance Updated, ISBN 4-7700-2841-5, pages 164—165 (brief abstract) Fumiko Enchi, "Kaguya-hime", ISBN 4-265-03282-6 (in Japanese hiragana) Horiuchi, Hideaki; Akiyama Ken (1997). Shin Nihon Koten Bungaku Taikei 17: Taketori Monogatari, Ise Monogatari (in Japanese). Tōkyō: Iwanami Shoten. ISBN 978-4-00-240017-4. Satake, Akihiro; Yamada Hideo; Kudō Rikio; Ōtani Masao; Yamazaki Yoshiyuki (2003). Shin Nihon Koten Bungaku Taikei 4: Man'yōshū (in Japanese). ISBN 978-4-00-240004-4. Taketori monogatari, Japanese Text Initiative, Electronic Text Center, University of Virginia Library Yamada, Yoshio; Yamda Tadao; Yamda Hideo; Yamada Toshio (1963). Nihon Koten Bungaku Taikei 26: Konjaku Monogatari 5 (in Japanese). ISBN 978-4-00-060026-2. External links [ edit] Ryukoku University exhibition Tetsuo Kawamoto: The Moon Princess (translated by Clarence Calkins).

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Alternative Titles English: The Tale of the Princess Kaguya Synonyms: Kaguyahime no Monogatari, Princess Kaguya Story Japanese: かぐや姫の物語 Information Episodes: 1 Status: Finished Airing Aired: Nov 23, 2013 Source: Other Duration: 2 hr. 17 min. Rating: G - All Ages Statistics Score: 8. 26 1 (scored by 48, 637 users) Ranked: #267 2 2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. Popularity: #1095 Members: 104, 607 Favorites: 1, 087 8. 26 Ranked #267 Popularity #1095 Members 104, 607 * Your list is public by default. Synopsis Deep in the countryside, a man named Okina works as a bamboo cutter in a forest, chopping away at the hollow plants day after day. One day, he discovers a small baby inside a glowing shoot. He immediately takes her home, convinced that she is a princess sent to Earth as a divine blessing from heaven. Okina and his wife Ouna take it upon themselves to raise the infant as their own, watching over her as she quickly grows into an energetic young girl. Given the name Kaguya, she fits right in with the village she has come to call home, going on adventures with the other children and enjoying what youth has to offer. But when Okina finds a large fortune of gold and treasure in the forest, Kaguya's life is completely changed. Believing this to be yet another gift from heaven, he takes it upon himself to turn his daughter into a real princess using the wealth he has just obtained, relocating the family to a mansion in the capital. As she leaves her friends behind to enter into an unwanted life of royalty, Kaguya's origins and purpose slowly come to light. [Written by MAL Rewrite] Background Kaguya-hime no Monogatari is based on the 10th century Japanese folk tale of the same title. It was nominated for Best Animated Feature at the 87th Academy Awards, the first such nomination for Takahata. The film received over 20 nominations worldwide from critics associations, film festivals, and academies, winning seven times. Related Anime Characters & Voice Actors Staff Edit Opening Theme No opening themes have been added to this title. Help improve our database by adding an opening theme here. Ending Theme "Inochi no Kioku (いのちの記憶)" by Kazumi Nikaidou (二階堂和美) More reviews Reviews Jan 10, 2018 1 of 1 episodes seen The Tale of Princess Kaguya: Peaks and Valleys **This “review" is SPOILER-HEAVY and is recommended for those who have already seen the film** **This “review” is also FAR from complete and I will be continually updating it in the future as I better collect more of my thoughts. ** This analysis may be somewhat messily written or seem to lack any sort of overarching structure. It is merely my personal thoughts and things I’ve realized while watching the film. As one of the more recent additions, “The Tale of Princess Kaguya, ” may not be the first title to come up with when you think of Studio Ghibli, yet I’m convinced read more Mar 11, 2019 --- This review spoils the entirety of Kaguya Hime no Monogatari, and is advised to be read after completion of the film --- "It is like a circle, when one ends, the other one begins. So you can always count on it to keep on moving. " If there ever was a quote to perfectly describe the surreal and metaphorical journey that is Kaguya Hime no Monogatari, then this quote would be it. Kaguya-hime no Monogatari, or The Tale of the Princess Kaguya, is a Studio Ghibli film that was created and directed by none other than the legendary Isao Takahata, and was released during the year of Dec 11, 2014 Studio Ghibli have always been at the very forefront in the anime film industry. Their creations have been able to reach out to any and all demographics with great success for decades, and have numerous masterpieces under their belt by now. Most of these are creations of the one and only Miyazaki Hayao, however Hotaru no Haka (Grave of the Fireflies) released back in 1988, one of the most critically acclaimed Ghibli films was written and directed by the studio's co-founder Takahata Isao. But this was something that was known as a one-hit wonder, as his other works never got anywhere near the same level Jan 2, 2016 This Studio Ghibli motion picture is relatively well-acclaimed outside the anime world. As of now it boasts 100% rating on rotten tomatoes and it was nominated for 87th Academy Awards. Unfortunately, for all of its praise it's a surprisingly mediocre work. The movie has some merits - it has delightful watercolor-like visual style. It's very pleasant to watch, one can simply sit and enjoy the flow of images. Animation is vivid and the art style captures the mood of the period and atmosphere of the folk tale very well. What this movie fails to capture however, is the very point it's trying to make. Because the Recent News Recent Forum Discussion Recent Featured Articles Top 20 Best Anime Movies to Kick-Start 2016 Tons of good anime movies have been made over the years. But why settle for good? We present to you a list of not 5, not 10, but 20 of some of the best anime movies in existence! Dig in and find some new and interesting Japanese animated movies to watch this year! Recommendations.

A few months ago, I went to the manuscript exhibition of Japanese animation "Studio Ghibli" in Hong Kong Heritage Museum. There were so many visitors. Everyone came here for Miyazaki Hayao, but I came for another director Isao Takahata. Miyazaki Hayao's Spirited Away and Howl's Moving Castle are riddles for me forever, so I prefer the works of Isao Takahata relatively, easy to be understood but profound too.
Farewell Firefly of Isao Takahata was criticized before: as the aggressive nation in the war, Japan was dressed as the victim of war in the film. Actually, Farewell Firefly is across the region to tell the destruction of human life and happiness by war, and this kind of destruction appears again in his new work The Tale of Princess Kaguya.
The movie opens with the myth that the bamboo even gives birth to a beautiful girl, named "Bamboo" and she grows faster than normal people (therefore to meet the tragedy quicker. The old man thinks she is a princess, so she was sent to the palace.
The movie shots are very special that most of the backgrounds are static, however, the stationary scenery on the background is already very beautiful, and Bamboo in the foreground is lively; while since she leaves her hometown, her name is changed to Kaguya which means light shine. Then it is turn for Bamboo to become stationary, as she could not appear and move freely due to the ethics. Thereby her freedom is forbidden and happiness is vanished.
The ending of the story is different from what I have heard - Bamboo returned to the hometown and found her lover had married and had a son. The movie has this scene, but it is just a dream of her lover, and Bamboo does not know his marriage in the dream too. On the contrary, the ending echoes the beginning, with a sense of myth. Bamboo cries to the moon, then the Buddha sends a messenger to pick her up. When she is put on feathers, all her memory losses, but she still takes a glance at the hometown at the end.

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